What sets Tenot's collection apart is the meticulous attention to detail and the profound thought that goes into each piece. Every garment is a labor of love, a testament to the designer's dedication to her craft.
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It is apparent that Ariane Theunissen now knows exactly who she is as a young designer. My companion noted that this collection felt "very LA". Perhaps it's just a matter of time before the entertainers and celebs get their hands on it.
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After the wonderful showroom visit, I walked down to the Rue Saint-Honoré. At the corner of Chanel and Dior, I couldn't help but think that ArdAzAei's collection is way too precious for mass-market companies like these. Her designs truly shine above the rest, embodying a level of artistry and attention to detail that sets her apart in the industry.
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Mame Kurogouchi travels down to Arita town in Saga Prefecture, a historical town for early Imari pottery from the dawn of Japan's famed porcelain industry in the first half of the 17th century. Maiko Kurogouchi was fascinated by Japanese porcelain's rich and fine craftmanship.
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He takes a deep dive into construction and morphs details of the garment. Initially, you won't notice it much but he does not just deconstruct and rearrange a trench coat, he completely changes the design through intricate details like a belt loop that that snakes down the center front.
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Continuing on the theme of barely there coverage as seen in AW23, SS24 is a more refined play on the idea. This collection is presented with the prospective of a woman on vacation. A woman who is uninhibited and ready to do anything at any time. This wardrobe exists between playful sunny days and sultry tantalizing nights.
Ira Iceberg, the artist that became a fashion designer is truly one of my personal creative heroes. It is evident that she trained in classical art using mediums such as oil and canvas. The digital age had changed her medium drastically therefore her art has evolved into creating in a way that interacts with the observer. The observer turns into the art to be observed.
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"Y for Yesterday" is a striking new take on classical femininity and powerful modernism. Designer Hyemee looks back on her own past, her inspirations and emotions, as well those of EENK, to present an innovative collection between nostalgia and modernism.
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Hian Tjen makes me want to show up awkwardly to a party completely over dressed. From start to finish these over the top, opulent pieces are a marvel to behold. Tjen does not hold anything back, more is more. The textiles used are a mix of feathered, embroidered, burned out, applique'd and beaded. It's all in there.
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In the second installment of Ruohan Nie's three collection series, "Line" is a wonderful study of conveying that lines can run forever. Designers strive to design timeless collections that can be versatile through seasons and time, few are successful at it. Ruohan Nie is successful with this season after season through her study in design and textiles.
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I never would have known it but this collection was inspired by surf skating. I'm so not even sure what it is but it is an activity that the designer, Reema Al Banna has been involved in for the last year and a half. This collection infuses something that is electrifying yet refined for the designer.
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This season Wang explorers how we view Venice once the playfulness and grandeur ceases and we start to notice the decay. The silhouettes of this collection plays off of the outlines of the architecture and dilapidated colors of the walls, frescoes and paintings inside the buildings and the pungent smell of laguna water accompanied by the signs of rampant decay.
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My favorite color is pink. You could not imagine how well this collection captured by interest from the first model. A voluminous dress of bubblegum pink styled with fuzzy black slide on slippers flounced down the runway. I was not only excited to see this look because it was an exuberant show of pink, I was excited because I can see myself in it.
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This season, building on his exploration of Umwelt (German for environment or surround-world), Kunihiko Morinaga uses a colorless PVC base for his creations. Using his trademarked ANVISUAL photochromatic technology, he creates a series of transparent "empty" garments and uses UV light to transform them.
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Everything about this collection feels slightly extreme. Exaggerated openings, leather, grommets and snakes paired with metal chains. Somehow within all of these extremities, there's still a very soft feminine voice that speaks through it. It's like the woman who is ready for everything and anything.
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Thankfully I was sent a show package and I opened it up with as much excitement and anticipation as I had for attending the show itself. I've been following Ujoh for a few seasons now and this designer has always gotten it right. Just the right amount of intricacy and the end result is magic. Although I cannot deem the missing of the show as one of my magical moments I can say that this AW23 collection is a magical collection.
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The Franco-Belgian brand established in 2019 and created by Ariane Theunissen stays faithful to the creator's love of the '70s and its icons. This season, the collection is inspired by the empowerment of women with silhouettes that emphasize the structure of the shoulders tapering into a small waist to create strong and dramatic looks, encouraging the idea of the powerful woman.
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A hand delivered by messenger, sleek glossy black bag with a cut-out handle arrived for me. Inside was an invitation in a black square box containing a black rose. Calvin Luo sure knows how to treat a lady. Being invited to a show in this way is my magical moment number 8.
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Situated on the famed Avenue Montaigne, the Ungaro showroom was nestled on the second floor of a beautifully traditional Parisian building. The stylish showroom featured large doors with hidden entryways and a traditional fashion salon that has been updated through the decades. A full spread of desserts and canapes and free-flowing coffee was warmly awaiting visitors. Upon arrival the staff was beautifully accommodating and so welcoming, this visit was my magic moment number 7.
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After about 20 minutes when everybody has settled in the blue lights started to fade away and we can see each other in our true presentations once again. Beautifully dressed attendees, socialites and starlets. Industry professionals with their cameras and phones ready. The first model in a long fringed blue capelet shredded through the sculpture and into the room.
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